材质 : Watercolor
图片文件尺寸 : 4859 x 3695 px
Paul Jenkins-Phenomena Prayer Sensation, 1977.
曾健士-现象祈祷感，1977年。
2.
“Sapho New York”的轰动。作者：Anonymous 高清作品[98%]
图片文件尺寸 : 2038 x 2714px
“Sapho New York”的轰动。作者：Anonymous-Anonymous
Sapho New Yorks raging sensation.--Anonymous
3.
卡齐米尔·马列维奇的《运动和障碍的感觉》 高清作品[97%]
图片文件尺寸 : 4460 x 3057px
卡齐米尔·马列维奇的《运动和障碍的感觉》-Kazimir Malevich
Sensation of the Motion and the Obstacle--Kazimir Malevich (俄罗斯, 1879 – 1935)
4.
混合感觉，嗯，1916年。-卡西米尔·马列维奇 高清作品[96%]
材质 : Pencil drawing
图片文件尺寸 : 4859 x 3695 px
Kasimir Malewitsch-Sensations mélangées, Um 1916.
卡西米尔·马列维奇-混合感觉，嗯，1916年。
5.
未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中 高清作品[77%]
图片文件尺寸 : 5078 x 5556px
Unknown Artist:The World\'s Greatest Psychic Sensation Samri S. and Miss Baldwin in Oriental Hypnotic Dream Visions, The White Mahatmas (Magic pp. 262–63), c. 1895
Lithograph in colors on 16 wove sheets, printed by Calhoun Print, Hartford, linen-backed, with wooden dowels at the upper and lower sheet edges.
overall 107 x 86in (271.8 x 218.4cm)
未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中
6.
《无题》（记忆只不过是我们对过去的感觉，但正是记忆帮助我们摆脱了过去，让我们成为了现在的自己），2005年。-Markus Muntean和Adi Rosenblum 高清作品[75%]
材质 : Oil on canvas
图片文件尺寸 : 4859 x 3695 px
Markus Muntean Adi Rosenblum-Untitled (Memory is no more than our sensation of the past but it is memory that has helped to take us from who we were and make us who we have become), 2005.
Markus Muntean和Adi Rosenblum-《无题》（记忆只不过是我们对过去的感觉，但正是记忆帮助我们摆脱了过去，让我们成为了现在的自己），2005年。
下载《无题》（记忆只不过是我们对过去的感觉，但正是记忆帮助我们摆脱了过去，让我们成为了现在的自己），2005年。-Markus Muntean和Adi Rosenblum大图
7.
Geo.S.HarrisSons的《吸烟和咀嚼感觉切断插头》 高清作品[68%]
图片文件尺寸 : 4246 x 9067px
Geo.S.HarrisSons的《吸烟和咀嚼感觉切断插头》-Geo. S. Harris Sons
吸烟和咀嚼感觉切断插头--Geo. S. Harris Sons (美国, 19th/20th Century)
8.
Alex Katz，当代艺术I 高清作品[40%]
图片文件像素：5857 x 5772 px
Alex Katz，当代艺术I-
Alex Katz - Zeitgenössische Kunst I-
(born in Brooklyn/New York in 1927)
Maria, 1990 signed and dated, oil on board, 45.7 x 60.7 cm, framed
This work is registered in the Alex Katz archive.
Provenance:
Private Collection, Italy
European Private Collection
Acquired from the above by the present owner
In the nineteen-fifties, when most of the serious art being done was abstract, Katz outraged scores of artists and formalist critics by inventing new ways to paint the human figure. He has always had his own direction, which has not been the direction of mainstream art in any of the last seven decades. In a Katz painting, style—the way it’s painted—is the primary element. His confident, crisply articulated technique makes us see the world the way he sees it, clear and up close, with all but the most essential details pared away. (…)
His main influences were television ads, movie closeups, Japanese prints (by Utamaro, in particular), and billboards (…).
Katz had found a way to paint portraits that he described, as “brand-new terrific.” Ignoring character and mood, he offered the pure sensation of outward appearance—not who the people were, but how they appeared at a specific moment. “I can’t think of anything more exciting than the surface of things,” he later told an interviewer.
(taken from: Calvin Tompkins, Alex Katz’s Life in Art, The New Yorker, 20/8/2018)
9.
轰动：来自萨奇收藏的年轻英国艺术家 世界名画的信息在什么网站 高清作品[31%]
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